April 15, 2008, Raleigh, NC: With N.C.
School of the Arts graduate and big Broadway star Gary
Beach playing King Arthur to a fare-the-well, the
current U.S. tour of Monty
Python’s Spamalot,
now playing in Raleigh Memorial Auditorium, has plenty of candlepower.
(Indeed, it is one of the unquestioned highlights of Broadway
Series South’s stellar 2007-08
season.) But this whimsical and wickedly funny retelling of the story
of King Arthur and the not-so-noble knights of the Round Table, and
their courageous but futile quest to find the coveted Holy Grail,
also features an incandescent performance by Esther
Stilwell as the mysterious Lady of the Lake, who rises from
her watery abode to give the magical sword Excalibur to the king
of the Britons and later returns, after the disastrous Battle of
Camlann, to take the fatally wounded King Arthur to Avalon.
Beach, who took home the 2001 Tony Award® for Best Featured
Actor in a Musical for his hilarious portrayal of Roger De Bris in The
Producers, and Stilwell, who played Grizabella the Glamour Cat
in the 25th-anniversary U.S. tour of Cats (2006-07), not
only bring these moonstruck medieval characters fully and gloriously
to life; but they also sing, dance, and cut the fool superbly in
this marvelous musical farce, which features sassy songs by John
Du Prez and Eric Idle and a brassy PG-13 rated book and lyrics by
Idle, based on the impudent and irreverent 1975 screenplay for Monty
Python and the Holy Grail. The Spamalot jokes are frequently
puerile and the repartee is frequently crass — in other words,
it’s a vintage sampler of the scatological wit of the wild-and-crazy
British comedy troupe Monty Python’s Flying Circus (1969-83).
Gary Beach
has a field day as the spunky, but sometimes foolhardy and often befuddled
Sixth Century ruler of Camelot, who spends a lot of his time stumbling around
the backwoods of Merry Old England and being outwitted by a series of colorful
and increasingly contemptuous rogues and scoundrels — one of whom, The
French Taunter (Patrick Heusinger) — raises the Bronx cheer to an art
form in razzing the impotent Arthur as the sputtering can lays siege to an
impregnable castle.
The lovely and supremely talented Esther Stilwell, in an eye-catching
array of dazzling costumes designed by Tim Hatley, brightens every
scene she enters and delivers a show-stopping rendition of “The
Diva’s Lament,” in which she wonders out loud, “What
ever happened to my part?” Moreover, she
quickens many a male pulse in a highly appreciative Broadway
Series South audience, which rose as one at the end of Tuesday night’s
performance to give Spamalot a thunderous standing ovation.
Brad Bradley is wonderfully witty in the thankless role of King
Arthur’s devoted servant and all-around dog’s-body Patsy,
faithfully clip-clopping behind his frequently lost liege; Patrick
Heusinger is a scream as a limp-wristed Sir Lancelot, The French
Taunter, and Tim the Enchanter; Ben Davis is a riot as the blonde
and beefy dim-bulb Sir Galahad and the bellicose Black Knight, whose
ill-advised attack on King Arthur leaves him without an arm to raise
to surrender or a leg to stand on; and Christopher Sutton puts on
a clinic in comic acting as he smoothly segues from role to role,
first playing the stuffy Historian who narrates the show, then bringing
down the house with his comic complaints as Not Dead Fred, and finally
camping it up as the cross-dressing Prince Herbert.
This gala national tour of Spamalot, handsomely produced
by Boyett Ostar Productions, with smart and saucy Monty Pythonesque
musical staging by director Mike Nichols and choreographer Casey
Nicholaw, reproduces Tim Hatley’s magnificent set and costume
designs from the original Broadway production, plus Elaine J. McCarthy’s
projection design, Hugh Vanstone’s lighting design, David Brian
Brown’s hair and wig design, Joseph A. Campayno’s make-up
design, and ACME Sound Partners’ sound design, which allows
the prerecorded voice of John Cleese to provoke belly-laughs as the
Voice of God.
The small but mighty Spamalot touring orchestra, under
the direction of Adam Souza, makes Larry Hochman’s orchestrations,
Glen Kelly’s music arrangements, and Todd Ellison’s vocal
arrangements sparkle. Together, this remarkable cast and crew truly
make Spamalot a night of musical theater to remember.
Broadway Series South presents Monty
Python’s
Spamalot Thursday-Friday, April 17-18, at 8 p.m.;
Saturday, April 19, at 2 and 8 p.m.; and Sunday, April 20, at 2
and 7 p.m. in Raleigh Memorial Auditorium in the Progress Energy
Center for the Performing Arts, 2 East South St., Raleigh, North
Carolina. $37-$81. Progress Energy Center Box Office: 919/831-6060
or through the presenter's website. Group
Rates (for parties of 20 or more): 919/857-4565 or group@raleighconvention.com.
Student Discount Program: Students with valid ID may purchase
any remaining seats for any performance, except the Saturday evening
show, for $20 each at the Progress Energy Center Box Office, starting
one hour before show time. Note: Arts
Access, Inc. of Raleigh, NC (http://www.artsaccessinc.org/)
will audio-describe the 8 p.m. April 19th performance. Broadway
Series South: http://www.broadwayseriessouth.com/.
The Show: http://www.montypythonsspamalot.com/ (Spamalot home
page), http://montypythonsspamalot.com/cast.php?section=151 (Broadway
Cast), and http://montypythonsspamalot.com/cast.php?section=235 (U.S.
Tour Cast:). Videos: http://montypythonsspamalot.com/media.php.
Internet Movie Database: http://www.imdb.com/title/tt0071853/.
Internet Broadway Database: http://www.ibdb.com/show.asp?ID=384261.
Gary Beach: http://www.garybeach.com/ (official
web site),
http://www.ibdb.com/person.asp?ID=73280 (Internet
Broadway Database), and http://www.imdb.com/name/nm0063460/ (Internet
Movie Database). Esther Stilwell: http://estherstilwell.com/index.html.
Patrick Heusinger: http://www.imdb.com/name/nm1738176/ (Internet
Movie Database). James Beaman: http://www.jamesbeaman.com/.
Bree Branker: http://www.breebranker.com/ [as
of 6/22/08] or http://web.mac.com/breebranker/iWeb/e-bree./welcome.html
[inactive 6/08].